Robert de Niro in The King of Comedy (left) and Joaquin Phoenix as the Joker in 2019’s Joker. Beneath the purple suit, green hair and grease paint-white skin, that’s what makes the Joker tick.
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(It’s a near-perfect movie in general, but it’s a Joker-specific one, too.) It’s a glimpse into the mind of a man who’s convinced, despite all evidence to the contrary, that he’s one of the funniest people in the world, and who’s determined that the world must be made in on the joke. Here’s the thing: The King of Comedy already is a near-perfect Joker movie. “Grim and gritty,” Taxi Driver, ’70s/’80s noir - word on the street, including what Polygon has heard from crew members, is that the Joker movie is an extended Marty homage. To an extent, that stands to reason: Scorsese is the film’s executive producer, and his signature star is in the cast. Nor is it simply that the work of Martin Scorsese is cited as an inspiration anytime Phillips’ movie pops up in the trades. The movie exists in parallel to the DC film universe, where a new Joker could pop up in The Batman and Leto technically remains attached to his own stand-alone Joker movie. That distinctive chemical odor you’re smelling isn’t Smilex gas, but an air of superfluousness surrounding the whole project. Rather, rumor has it, Bobby D will be the superstar who spurs Joaquin Phoenix’s descent into madness in director Todd Phillips’ stand-alone movie about the Joker, nemesis of Batman and anyone taking Jared Leto seriously alike. This time around, however, de Niro isn’t playing the insane up-and-comer, as he did in Martin Scorsese’s 1982 black comedy classic, The King of Comedy. Stop me if you’ve heard this one before: Robert de Niro will soon co-star in a film about a deranged man who fancies himself a comedian and is driven to crime by a late-night talk show host.
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The Joker, Arkham Asylum: A Serious House on Serious Earth īetter to be a king for a night than a schmuck for a lifetime! With Joker in theaters this week, Polygon has resurfaced this piece from last fall that looks at the connections between writer-director Todd Phillips’ new movie and a classic: Martin Scorsese’s The King of Comedy.